[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-fine-romance":3},"title: A Fine Romance\ncomposer: Jerome Kern\nstyle: Medium Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | C6      # tonic: the 4th is in the key\n2 | C#dim7  # vii°7 of Dm6: A7♭9 without its root\n3 | Dm6     # a minor sixth chord: Dorian\n4 | D#dim7  # vii°7 of Em7: B7♭9 without its root\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: B\n1 | C6      # tonic: the 4th is in the key\n2 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n3 | Dm7     # ii of G7: Dorian\n4 | G7      # V7\u002FI in C: natural tensions\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | C6      # tonic: the 4th is in the key\n2 | C#dim7  # vii°7 of Dm6: A7♭9 without its root\n3 | Dm6     # a minor sixth chord: Dorian\n4 | D#dim7  # vii°7 of Em7: B7♭9 without its root\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: C\n1 | C6      # tonic: the 4th is in the key\n2 | C7      # V7\u002FIV in C: natural tensions\n3 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n4 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | A7      # V7\u002Fii in C: the b13 is in the key\n6 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793575880092]