[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-felicidade":3},"title: A Felicidade\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Am\nform: AABCD, 56 bars\nrecording: Antonio Carlos Jobim & Luiz Bonfá; Orfeu Negro (Bande Originale du Film); Philips; 1959\nyoutube: Q9xlgG6eT5E\n# analysis: 2026-10-28, rules v2; A minor\n# recording: the soundtrack of Marcel Camus's film, Philips B 76.470 R (France), A2 \"A Felicidade\" (2:33), sung by Agostinho dos Santos; the film and its soundtrack introduced the song, and it is Jobim's own (rule 1\u002F2); sources: Discogs; video: Antonio Carlos Jobim - Topic \"Provided to YouTube\" upload (Universal Music Group), Black Orpheus, ℗ 1959 Decca Records France, 2:35\n\nsection: A1\n# area: A minor (A1 1–7)\n1  | CMaj7   # bIII of A minor: the relative major itself\nalt 1  | Am7     # tonic minor: Dorian by convention\n2  | CMaj7\nalt 2  | Am7\n3  | CMaj7\n4  | CMaj7\n5  | Em7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fv in A minor: b9 and b13 are in the key\n7  | Em7     # ii of the ii–V to D minor; the repeat at A2 bar 7 would be E Phrygian\n7  | A7      # V7\u002Fiv in A minor: the b13 is in the key\n# area: C major (A1 8 – B 2)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n# area: A minor (B 3–6)\n3  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9    # V7 of A minor: b9 and b13 are in the key\n5  | Am7     # tonic minor: Dorian by convention\n6  | Am7\nalt 6  | Am7\nalt 6  | Abm7    # a borrowed minor chord: Dorian, its own key\n# area: F major (B 7–10)\n7  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | FMaj7   # tonic: the 4th is in the key\n10 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: A minor (B 11 – C 4)\n11 | Am7     # ii of D7: Dorian\n12 | D7      # V7\u002FbVII in A minor: natural tensions\n13 | Am7     # tonic minor: Dorian by convention\n14 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9    # V7 of A minor: b9 and b13 are in the key\n15 | Am7     # tonic minor: Dorian by convention\n16 | G7      # V7\u002FbIII in A minor: natural tensions\n\nsection: C\n1  | CMaj7   # bIII of A minor: the relative major itself\n2  | F7      # bVI7 in A minor, not resolving: the #11 is in the key\n3  | CMaj7   # bIII of A minor: the relative major itself\n4  | CMaj7\n# area: F major (C 5–8)\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | FMaj7\n# area: A minor (C 9 – D 8)\n9  | Dm7     # ii of the ii–V to C\n10 | G7      # V7\u002FbIII in A minor: natural tensions\n11 | CMaj7   # bIII of A minor: the relative major itself\n12 | CMaj7\n13 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | B7b9    # V7\u002Fv in A minor: b9 and b13 are in the key\n15 | Em7     # ii of the ii–V to D minor\n15 | A7      # V7\u002Fiv in A minor: the b13 is in the key\n16 | Dm7     # ii of G7: Dorian\n16 | G7      # V7\u002FbIII in A minor: natural tensions\n\nsection: D\n1  | Am7     # tonic minor: Dorian by convention\n2  | Am7\u002FG   # ii of D7\u002FF#: Dorian\n3  | D7\u002FF#   # V7\u002FbVII in A minor: natural tensions\n4  | Dm7\u002FF   # iv: Dorian, the key’s own notes\n5  | Am7     # tonic minor: Dorian by convention\n6  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b9    # V7 of A minor: b9 and b13 are in the key\n7  | Am7     # tonic minor: Dorian by convention\n8  | Am7\n",1793484797154]