[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-ballad":3},"title: A Ballad\ncomposer: Gerry Mulligan\nstyle: Ballad\nkey: C\nform: AABA, 43 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–2)\n1  | Dm7     # ii of the ii–V to C\n1  | G7      # V7 of C: natural tensions\n2  | CMaj7   # tonic: the 4th is in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: B major (A1 3–6)\n3  | C#m7    # ii of the ii–V to B\n3  | F#7#9   # V7 of B: b9, #9 and #11 from the symbol\n4  | BMaj7   # tonic: the 4th is in the key\n5  | Em7     # ii of A7b9#5: Dorian\n5  | A7b9#5  # extended ii–V: a side-step, its own key; b9, #11 and b13 from the symbol\n6  | F#m7    # ii of the ii–V to E minor\n6  | B7b9    # V7\u002Fiv in B: the b9 from the symbol\n# area: D major (A1 7–11)\n7  | Em7     # ii of the ii–V to D\n7  | A7      # V7 of D: natural tensions\n8  | DMaj7   # tonic: the 4th is in the key\n8  | B7b13   # V7\u002Fii in D: the b13 is in the key\n9  | Em7     # ii: Dorian, the key’s own notes\n9  | Gm6     # a minor sixth chord: Dorian\n10 | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Fdim7   # passing diminished: E7♭9 without its E, the A7's dominant (Em7 its ii)\n11 | Em7     # ii of the ii–V to D minor\n11 | A7      # V7 of D: natural tensions\n# area: C major (A1 12 – B 2)\n12 | Dm7     # ii of G7: Dorian\n12 | G7      # V7\u002FI in C: natural tensions\n13 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n14 | Dm7     # ii: Dorian, the key’s own notes\n14 | FmMaj7  # from the symbol: minor-major 7th\n15 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n16 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n17 | CMaj7   # tonic: the 4th is in the key\n@ending 1 7 11\n@ending 2 12 17\n\nsection: B\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # extended ii–V: a side-step, its own key\n2  | Gm7     # a borrowed minor chord: Dorian, its own key\n2  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7b9's dominant; not functioning diatonically: the symmetric scale\n# area: Eb major (B 3–4)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7b9   # V7 of Eb: the b9 from the symbol\n4  | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (B 5–8)\n5  | Ebm7    # ii of the ii–V to Db\n5  | Ab7     # V7 of Db: natural tensions\n6  | DbMaj7  # tonic: the 4th is in the key\n6  | Em7     # a borrowed minor chord: Dorian, its own key\n7  | Ebm7    # ii of the ii–V to Db\n7  | Ab7b9   # V7 of Db: the b9 from the symbol\n8  | DbMaj7  # tonic: the 4th is in the key\n8  | Em7     # ii of the ii–V to D minor\n8  | A7      # V7\u002Fbii in Db: b9 and #11 are in the key\n\nsection: A2\n# area: C major (A2 1–2)\n1  | Dm7     # ii of the ii–V to C\n1  | G7      # V7 of C: natural tensions\n2  | CMaj7   # tonic: the 4th is in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: B major (A2 3–7)\n3  | C#m7    # ii of the ii–V to B\n3  | F#7#9   # V7 of B: b9, #9 and #11 from the symbol\n4  | BMaj7   # tonic: the 4th is in the key\n5  | Em7     # ii of A7b9#5: Dorian\n5  | A7b9#5  # extended ii–V: a side-step, its own key; b9, #11 and b13 from the symbol\n6  | F#m7    # ii of the ii–V to E minor\n6  | B7b9    # V7\u002Fiv in B: the b9 from the symbol\n7  | Em7     # ii of A7: Dorian\n7  | A7      # extended ii–V: a side-step, its own key\n# area: C major (A2 8–10)\n8  | F#m7    # ii of the ii–V to E minor\n8  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Gm6     # a minor sixth chord: Dorian\n10 | F#m7    # a borrowed minor chord: Dorian, its own key\n10 | Fdim7   # passing diminished: E7♭9 without its E, the A7's dominant; not functioning diatonically: the symmetric scale\n# area: D major (A2 11–12)\n11 | Em7     # ii of the ii–V to D\n11 | A7      # V7 of D: natural tensions\n12 | DMaj7   # tonic: the 4th is in the key\n@coda 12\n\nsection: Coda\n# area: C major (Coda 1–4)\n1  | Dm7     # ii of G7: Dorian\n1  | G7      # V7\u002FI in C: natural tensions\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7#9    # tritone substitute: resolves down a half step to Ab7#9; b9 and #9 from the symbol\n3  | A7#9\n3  | Ab7#9   # tritone substitute: resolves down a half step to G7; b9 and #9 from the symbol\nalt 3  | A7#9\nalt 3  | Abdim   # passing diminished: E7♭9 without its E, the Adim's dominant\nalt 3  | Adim    # passing diminished: F7♭9 without its F, the Bbdim's dominant; not functioning diatonically: the symmetric scale\nalt 3  | Bbdim   # passing diminished: F#7♭9 without its F#, the Bdim's dominant; not functioning diatonically: the symmetric scale\nalt 3  | Bdim    # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4  | G7      # V7 of C: natural tensions\n4  | CMaj9   # tonic: the 4th is in the key\n@coda 1\n",1793575879940]